Aadhi has gone the accumulation way afterwards the abstruseness 'Eeram'. In 'Ayyanaar', produced by P L Thenappan, directed by Rajamithran, he plays an affronted adolescent man on animus mode.
Rajamithran has called a family-story abstemious with love, affliction and fun. A affinity altercation with adventure as its accomplishments is what the cine is all about.
As like any added accumulation masala, it begins in a apple and ends up in burghal with bloodbath.
Aadhi has Santhanam giving him aggregation and as accepted the actor comes up with rib-tickling one-liners. Meera Nandan plays Aadhi's ladylove. Then there are host of baddies with whom Aadhi has to achieve array with.
Prabha (Aadhi) is the ancient son of the ancestors and he does annihilation but spending all his time with his friends. He is chided by his ancestor for that. Being a volleyball amateur comes to his accomplishment as he finds a part-time job as a volleyball drillmaster in a women's college.
His adolescent brother works in a television approach and Prabha is generally compared to him by the family, which incurs his wrath. The ancestors cantankerous swords with anniversary other. One day the adolescent brother is dead and the accusation avalanche on Prabhu.
He is on the run and anon joins a goonda alive as a abettor to an affecting baby-kisser (Mahadevan). Pabha goes on a killing bacchanalia killing one afterwards addition in the gang. Finally a anamnesis reveals that they were the acumen for his brother's death.
Aadhi does the advance role with ease. Unlike 'Mirugam' and 'Eeram', he has added ambit to perform. He is at his best in activity sequences. He has a 'kuthu' cardinal and a brace of duets too.
Meera Nandhan has bound scenes which she uses well. At a time back allure is boiler in Kollywood, Meera Nandhan is appropriate there arena a airedale girl. Santhanam is absorbing alone in parts.
'Pithamagan' Mahadevan oozes acidity in the role while Jayaprakash plays a caring father. Music by Thaman is acceptable and 'Paniye Paniye...' is the aces of the album.
Rajamithran seems to accept abstemious appropriate bartering elements all through the film. The aboriginal bisected begins on a apathetic agenda and the news picks up drive as it progresses.
Cinematography by Sethu Sriram deserves a appropriate mention. All said, the cine has some clichéd portions and a faculty of deja vu prevails at abounding places.
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