Neela Padmanabhan’s ‘Thalaimuraigal’ is advised as one of the top ten novels in Tamil avant-garde abstract by critics for it throws ablaze on animal relationships in an absorbing address with arresting arrangement of events.
Director Gowthaman deserves pat for ensuring that the agreeableness of the atypical is not besmirched aback he fabricated it as a cine in ‘Magizhchi’. Quite adapted to the title, the cine movies at a clip that is absorbing and stresses the charge to account relationships. More than abode on the story, the blur aims at chronicling the lives of few characters that we see in our circadian life. Set in Iraniyal village, the cine revolves about Chettiyar community.
Describing the anamnesis through paintings in the alpha itself, the administrator promises that it would not be a accepted affair. There are no accurate clichés be it the way the hero or the charlatan is introduced. Gowthaman ensures that all is at ease.
The cine revolves about Thiravi (Gowthaman) for whom his sister (Karthika) is everything. He lives a arguable activity with his parents, admirable mother and sister. He additionally gets the job of government abecedary in his village.
And Thiravi has a adulation activity too, with Kuzhali (Anjali). Aback aggregate goes well, agitation break out in the anatomy of Sevatha Perumal (Sampath Raj). Belonging to the aforementioned caste, he marries Thiravi's sister. But aural few months of his wedding, he sends her aback to Thiravi’s abode alleging that she cannot mother a child.
The adventure after-effects in above repercussions in Thiravi's abode and the appulse is so abundant that Kuzhali is affected to ally an alien by her parents. Thiravi's efforts to bang accord in his sister's ancestors end in vain. Aback he feels aggregate has slipped from his hands, his acquaintance (Seeman) comes to his rescue.
As the cine progresses, one gets the feel of browsing through pages of a novel. The sequences are anecdotal in an absorbing address by the director. He additionally burdens the albatross of arena the advance role. At places he reminds actor-director Cheran.
Anjali combines allure and performance. She is absorbing as Kuzhali. Karthika as sister is aristocratic and diligent. Sampath Raj plays a baddie, but with no accurate clichés. Prakashraj, Ganja Karuppu and Sukumari fit the roles well.
The highlight of the blur is Vidyasagar's music. Earthy and rustic, the songs are a alloy of melody and animated beats. On the cast side, the cine goes artificial at abounding places. The scenes are diffuse defective an burning trimming.
On the accomplished ‘Magizhchi’ is a adventurous attack by Gowthaman and would set a beginning trend for cine genres to follow.
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